Showing posts with label audio. Show all posts
Showing posts with label audio. Show all posts

6/09/2012

Monsoon MM-1000 2.1 Flat Panel Computer Speakers (3-Speaker, Black) Review

Monsoon MM-1000 2.1 Flat Panel Computer Speakers (3-Speaker, Black)
Average Reviews:

(More customer reviews)
I bought the Monsoon MM-1000 system when it first came out in late 1998 and have nothing but the highest praise for it. The bass is deep and rich, but more importantly the mid and high tones are produced with extremely fluent and precise imagery through the flat panel speakers. This is something a lot of traditional computer systems fall down in. If you want the most heart pounding bass possible for games like Quake but don't really care about musical quality then go for the Klipsch Promedia. But if you do care a lot about the way music sounds, the way instruments remain clear and how the acoustic environment says "unmuddy" then the Monsoons are definitely a top choice.
Besides the excellent sound, these speakers look awesome; they might not have all the fancy indicator lights like Altec systems, but the space age flat panel design is sure to get wows. The subwoofer is also very attractive, enough so they you might not even want to put it under your desk! You can't really see to well from the picture, but there are two LEDs by the front buttons that light up red and green. The controls on the subwoofer are extremely smooth and precise, although the remote "puck" tends to add some noise when you change the volume. I got mine replaced and it worked fine after that, so maybe it was just an early model problem.
Overall, if you want a high tech look and great sound I can't recommend a better 2.1 system.

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The Monsoon MM-1000 provides a rich multimedia sound experience. The two flat dipole speakers consist of a transducer (tweeter), which provides clarity for high-range sounds, and a cone, which provides dynamic sound quality for midrange sounds. Planar Focus technology directs the sound at the listener, minimizing reflections from the desktop and monitor sides. The 25-watt monopole subwoofer, which comes with its own volume control, provides rich bottom-end sound to CD audio, DVDs, 3-D games, and MP3s. The system also includes the Monsoon puck, a small device that controls the volume for the entire system and even lets you mute it completely. This system works on both PC and Mac systems and comes with a one-year parts-and-labor warranty.

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4/27/2012

PreSonus Tubepre Single-Channel Vacuum Tube Mic Pre Review

PreSonus Tubepre Single-Channel Vacuum Tube Mic Pre
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This is a great starter preamp.
When i first started recording i was using an akg perception 200 and tascam 122L. the 122 is a decent interface but is almost too transparent for its own good. All of my vocal recordings sounded lifeless and detached.
I purchased this inexpensive preamp and found that it certainly did add the subtle harmonics needed to liven up the tone.
I read online that many people thought that while this preamp is decent for the price, merely switching out the stock chinese vacuum tube can really enhance its tone. So I went to G***** C***** and purchased a replacement russian made groove tubes preamp tube and WOW, It really did make a huge difference!(the entire tube switching process took me about 4 minutes, i had never done such a thing before but it was very easy)
So while this is a nice little preamp, a simple $20 upgrade took the quality way above and beyond what you get out of the box.

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The TubePRE is the highest quality vacuum tube preamp in its class. Loaded with PreSonus award winning dual servo preamplifier, the TubePre affordably delivers low noise tube warmth for vocals, guitars, bass guitars, synths and sound modules. The TubePre noticeably outperforms preamps in low cost mixers and recording interfaces making it an easy choice for anyone desiring to enhance their recordings with the magic of tubes.

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3/26/2012

Rode NTG1 Condenser Shotgun Microphone - with Free Rode SM3 Shock Mount Review

Rode NTG1 Condenser Shotgun Microphone - with Free Rode SM3 Shock Mount
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I needed 4 shotgun mics for a house of worship. I called Rode and spoke to them which model I needed and they recommenced this one, and they were not wrong. The pattern is very tight and has great rejection for of axis sound. they are very sensitive and do not much gain and fader control. I purchased 4 of them and am very satisfied. I bought the from a company in Tennessee.

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1/16/2012

MXL 990 Condenser Microphone with Shockmount Review

MXL 990 Condenser Microphone with Shockmount
Average Reviews:

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It's hard to beat this mic on price. I have one and often use it for home recording projects, demos and such. It's a good inexpensive way to record vocals, but I find the sound a bit muddy, and often come back with eq to turn down some of the low-mid frequencies. Now there are a number of condensers coming out in this low price range, and I've tried a few of them and haven't yet found a cheap one I like any better than this. For finished products, I'd use a better mic if available, but this one will work with a bit of EQ and a careful ear.
The mic requires phantom power, so I got the Art Tube MP preamp to go with it. That preamp warms up the sound and really helps this mic out compared to the built-in mic pre-amps on my board.

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1/05/2012

Rode NTG2 Condenser Shotgun Microphone Review

Rode NTG2 Condenser Shotgun Microphone
Average Reviews:

(More customer reviews)
I purchased the NTG-2 as a voiceover mic to use for audiobook production and VO recording. I'm running the mic through the preamps on an M-Audio ProjectMix I/O and into Pro-Tools M-Powered 8. I run the incoming signal through the Waves SSL Channel plugin for some light compression, and that's it. I rarely need to EQ.
The resulting tone is clean and clear without being too intimate. If I get too close, it tends to get a little boomy and the low-mid ranges are a touch muddy. However, if I position the mic about 12-18 inches from the mouth of the VO artist, and slightly above the axis of the mouth, the sound quality is stellar. On male voices, in particular, the mic lends a depth and warmth that is often desirable for certain types of voice work. As would be expected with a mic of this type, the proximity effect is fairly pronounced.
Being a shotgun mic, it does an excellent job filtering out much of the background noise if your space is not sound-proof. (For instance, I'm using a small booth in which one wall is an exterior wall with very little sound insulation. Even when cars and trucks drive by, the mic won't register the sound.) It's an excellent choice for small project studios in homes. The mic does a good job of not catching every single saliva slurp or tongue noise while keeping the voice sounding natural.
The included wind screen is a little on the wimpy side, and it's unfortunate that the mic doesn't come with a shock mount...but that's not uncommon for mics in this price range. Likewise, I wish the mic had come with a decent hard case rather than the pleather zippered pouch that comes with, but again, that's not uncommon in this price range.
I've used four very different mics for VO work: a Studio Projects C100 Large Diaphragm Condenser, an AKG C1000 small diphragm condenser, a Heil PR40 Large Diaphragm Dynamic, and the Rode NTG-2. I was using the Heil almost exclusively until I got the NTG-2. Now this is my first-call mic for 80% of my VO sessions. For the price, it really can't be beat for high-quality spoken word recording.
Pros:
* Great Mic for the Price
* Narrow Pickup Pattern to reduce noise
* Clean and clear tone
* Natural sound
Cons:
* Can get a little boomy in low-mid ranges if speaker is too close
* Pronounced proximity effect
* No shock mount/case included


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